April 2001 24 / 03 / 01 at the 03 / 05 / 01
THE
FUTURE OF THE PRESENT 2001
Franklin Furnace New York USA
YIWE-YIWEb - Anahí Cáceres
Franklin Furnace / Parsons MFA / DCTV
03 04 / 01 presentation of the work of Anahí Cáceres and the project YIWE-YIWEb
in the class of the Prof. Zhan Ga Center New for Design at Parsons School of
Design.
Tiffany Ludwig, Program Coordinator of Franklin Furnace Bought Sandra, translator,
Team of production of DCTV.
Past works in HTTP://www.arteuna.com/plastica/caceres.htm
Project YIWE-YIWEb in HTTP://www.arteuna.com/talleres/caceres/proyecto.htm.
Concluded the presentation, a brainstorming session was made to contribute
ideas and to outline the work of the students, of which was the database for
the web.
"Pattern",
the last work of March 2001, an interactive CDROM, realization: Sebastian Cudicio,
music: Nicolás Ojeda.(1)
27 / 04 / 01 JIHUI, event of Parsons MFA / Franklin Furnace in internet.
30
/ 04 / 01 Performance in DCTV Down Town Community Television Center, live for
TV and Web; Video interview and panel with Martha Wilson Directress Founder
of Franklin Furnace; Chat. Manhattan News Network and netcast with Q & TO session
on line.
THE
FUTURE OF THE PRESENT 2001(2) will consist of has live
art presentations created during residencies that will take place from January
to December 2001. These works of art will uses the Internet ace to venue in
which performance and discussion may take place, and through which avant-garde
art is available to world wide audience. Presentations will be created by artists
who were selected by Franklin Furnace's to break wind panel in the Summer of
2001. Artists will work with to team of students in Parsons' M.F.A. classes.
Students will become family with the artist's past work and ideas, and council
the artist ace to the various ways video and audio streaming technology, 3-D
animation, "chat, interactive technologies and other tools may be used to embody
their ideas. Each artist will be in residence for one month.
THE FUTURE OF THE PRESENT 2001 is to product of the NetArt Initiative. The artists
selected for this residency project plows: Anney Bonney (in collaboration
with Liz Phillips), Nao Bustamante, Anahi Cáceres, Go_Home Project (Bajevic,
Sandra Pounds Sterle, Danic Dakic), Dyke Action Machine (Sue Schaffner, Carrie
Moyer), Adrienne Jenik, Richard Kostelanetz, Gabrielle Leidloff, Bruno Ricard,
and Marcus Young.
The NetArt Initiative is committed to creating and promoting to dynamic
dialogue between the academic and artistic worlds to explores this emerging
new medium in artmaking today, offering students ace well ace the interested
public an open space for discussion and collaboration, and showcasing emerging
talents from both the educational and public sector, thereby establishing excellence
in academic research and experimentation.
April 27: jihui (the meeting point, to project of NetArt Initiative), to self-regulated
digital living room, invite all interested people to send you devise for discussion/performance/etc,
jihui puts you right under the spotlight.
THE FUTURE OF THE PRESENT 2001 is made possible by the faith and foresight of Jerome Foundation, The Andy Warhol Foundation for Visual the Arts Inc. The
Heathcote Art Foundation, the New York State Council on the Arts' Technology
Initiative, the National Endowment for the Arts, to federal agency, and The
Daniel Langlois Foundation for Art, Science, and Technology.
Franklin Furnace Alumns
These plows some weblinks to artists who have presented at Franklin Furnace
in the past: Laurie Anderson's Home Page http://www.laurieanderson.com / Penny Arcade http://www.pennyarcade.com / Eric Bogosian http://www.ericbogosian.com / Nao Bustamente http://www.sfgate.com/offbeat/nao1.html Anahi Cáceres http://www.arteuna.com / KUMIKOKIMOTO Dances http://www.dancekk.com / DOORIKA http://homepage.interaccess.com/~apolli/forgery
Laure Drogoul's THE NIPPLE PROJECT http://www.cultofmarms.org / Dyke Action Machine http://www.dykeactionmachine.com / Exotech Industries, Coconut Virtual Fusco's Laboratory http://www.artswire.org/cocofusco/intro.html Paul Granjon's Z PRODUCTIONS http://www.zprod.org /
Frank Green http://www.frankgreen.com / Yvette Helin/The Pedestrian Project
http://www.bway.net/~pedproj Murray Hill bigger for http://www.mrmurrayhill.com / Tehching Hsieh http://www.one-year-performance.com / Linda Montano and Bob Anderson Problems Anonymous http://www.io.com/~bazooka/north/north.html Ichi Ikeda http://plaza21.mbn.or.jp/~WATERS / Alastair MacLennan http://art.ntu.ac.uk/liveart/maclennan Frank Moore http://www.eroplay.com / Neumark Devours http://www.devoraneumark.com / Annie Sprinkle http://www.heck.com/annie/index.html André Stitt's Akshun Services http://www.geocities.com/SoHo/Lofts/1745 Rachel Rosenthal http://www.rachelrosenthal.org / Wanted: X-Cheerleaders http://www.mindspring.com/~x-cheerleaders Martha Wilson http://www.marthawilson.com /
YIWE-YIWEb,
is an interactive installation that includes considerations of historical revision
of the culture Mapuche, assigning new values to old artistic and ceremonial
concepts, by means of its relationship with the contemporary art, emphasizing
the importance of the community in a work of art. The artist manipulates a virtual
image of the ritual object Yiwe, located, in real time in the WWW.
YIWE- YIWEb The antecedents of this work are remitted to a linguistic
operation carried out on a yiwe of Malleco, Chile.
Meanings
of a YIWE (of Malleco - Chile)(3)
(4)Diameter superior 14,5 cm
Diameter Bases: 6,5 high 3,5 cm, thickness: 0,3 mm
material: silver
Forms: circular
Handles: 2 snakes (with protuberance = feathered) Tren-Tren - well - and I Cai-Xai
- bad -, Legend of the Origin
Graphics: In the external border: Journey of the snake / In the bottom:Sostices
. In The top: Cardinal Cross
Semiothic Text : name, graphisms,use in the rite:
YI: Plane
- flat - deep, 3 dimensions - space
WE: New - recent - young - substance - origin - begin - time
handles: Legend of the Origin: Tren-Tren and I Cai-Cai
Coordinated: Space
Solstices:Time
Communication, rite
The
cacique, located in front of the East, the Yiwe takes for its handles to suck
in form of ritual offering. The Yiwe like form in the space Positioning of the
digital image in the space, this "location." The scene is a metaphor of a first
plane of reality where the Yiwe appears occupying a place in the space by means
of two synchronized interactive projections visually, recording of the first
scene in real time. This presents a second plane of reality. Conceptualization
of the participations from the TV and net thinking about the discución about
the approach of a "reality" generally opposed to the "virtualidad."
The
Yiwe like concepts: Relation with the Web and relationships with the concepts
Space, Time, Simultaneity. Graphics, texts in audio and tip that conform conceptual
descriptions of the YIWE, (object of ritual communication) extracted of the
parallel one opposing among the contained semiothics of the same one and those
that it presents the communication technology in the net: Space / Time / Movement
/ communication, simultaneity.
Rite like substance of the communication: Interactivity, participation and relationships
with the movement concept, cycle, balance, rite.
Performance.
Time: 7 minutes; Interactive (Sebastian Cudicio) Music (Nicolás Ojeda) It participates:
Cleo Godsey and Cristina García; Spectators in the set/TV and Web.
Material
published for YIWE-YIWEb
1. Replic of a YIWE of Malleco, Chile: by Alicia Cáceres (Chile) beaten brass
taken a bath in silver climbs 1/1
2. Digital reproduction in 3D for Sebastian Cudicio, interactive and animation
3. Music of Nicolás Ojeda: music, texts and sounds of computer keyboard, MP3
- Real Player;In New York: Post-edition of Tiffany Ludwig for performance in
DCTV with text in English.
4. Digitized theoretical documents
5. Material for database.
6. Page web of the project in: www.arteuna.com/talleres/caceres/proyecto.htm,
with link to related international theoretical files.
7. Video Interview carried out by Craig Renaud, Editor of DCTV with digital
pictures of A.Cáceres and lively edition of Tifanny Ludwig (Programm Coordinator
of Franklin Furnace), music of N. Ojeda.
8. Database taken place by the alumos of the class of the Prof. Zhan Ga in Parson
MFA
9. Interactive CDROM "Pattern" of A. Cáceres and Sebastian Cudicio, Music of
Nicolás Ojeda with link to the project YIWE-YIWEb in internet.
Video
of the Program with Panel TV and Web with Martha Wilson, Anahí Cáceres and Margarita
Talleda, translator. The work consisted on a simultaneous setting: live, for
spectators of the Sep, those of the TV and the web. Manual graph and interactive
interface in two synchronized projections. The scene is captured in video and
emitted by TV and in the net. From the Web, the participants respond to key
texts that develop the concepts of the YIWE. Here cover of DCTV goes she thinks
about the simultaneity and the values on the concept Espacio/Tiempo that are
verified in the web The work it consisted on a live simultaneous setting, for
spectators of the Set, in direct for the TV and instantaneous participation
of the web. Three planes of oneself reality. The metaphor of the YIWE, object
ceremonial mapuche, was used to outline a community ritual situation, where
the object so much semióthic was described in a graphic action, an interactive
movie, text in sound and tiped in the chat. The sound has a first material of
texts and superimposed music (two text channels and music's channel) to the
one that was added another text in English.
All the words are the verbal version - sound of the semióthics concepts of the
YIWE: time / space / coordinated / solstices / simultaneity / well and bad /
rite / communication.
Video
Interview carried out by Craig Renaud, of DCTV
Manhattan in NYC grows permanently, it is built, it reconstructs, it is recycled,
he stays it new, day by day the urban landscape modifies, anonymous workers'
thousands transform it, the city beats to the rhythm of the work, without stopping.
All the languages of the planet, the colors and the cultures participate.
Dear Anahí:
Congratulations for what I could see of your work...
Although as others that were on-line, I also experienced problems toward the
end of this. But in any way, what I could appreciate myself found extraordinarily
interesting, in particular for the context that took place in certain moments
of the communication. The interesting of the technologies is their double game:
the salvation promise but the possibility of the abandonment. I working with
this duplicity am in particular, the one that confers a certain fragility to
the technological power, "humanizing it" perhaps? The technology offers us a
certain rational paradigm, but that it suffers as the humans of the "aleatoridad"
in the roads that it travels, from the moment that the electricity travels for
the conduits that feed the apparatuses that we use...
Alexander of the Re (Chile)(5)
Notes:
(1) database in HTTP://igor.parsons.edu/ddws3/minami/ff/working_test3/form.html enunciative Text: Among the URL of the page that you believe he/she
responds to the following ones enunciated: Time - I Space - Coordinated - Solstices
- Simultaneity - Reality - Virtualidad - Rite. Their answer will be part of
a database where the concepts semioticos of a YIWE were reinterpreted; upgrading
them by means of the web and their own contents. Data: User: Place their specific
data. Hour - Country - Place - Station - Position -
(2) extracted text of Franklin's Place Furnace: www.franklinfurnace.org
(3) "Reading of the Ceremonial art, The Nguillantún mapuche
ceremony bigger than the town mapuche" report
of A.Cáceres. for the Days of "Extreme West" in the National University
Of Córdoba; published by Imagin it was with Foreword of Marcelo Nusenovich.
Presented in the CAYC 1992, in File of the Library of the OEA and Anthropological
Museum of Temuco Chile.
(4) bibliography: " Silver of the araucanía" R.M Von
Benewitz. Chile
(5) mail sent by Alexander of the Re (Chile)
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